As I develop my performance, film, and digital based practice, questions of presentation and installation arise. A live performance in front of an audience can be effective, but how to capture the effect more permanently? A film shown in its own right, on a monitor or projected, can fail to communicate what I wish. There are a number of ways in which such work can be presented to fully engage the viewer and encapsulate the energy of the work. For example, Parker Ito's 2014 installation at the White Cube (video monitors placed amongst neon lighting and potted flowers), Nam June Paik's Nixon 1965-2002 (electromagnets alter the video image at random moments) and Roger Thorp's light boxes (analogue film stills in backlit frames). From these original points of research, I have begun to explore how my audio-visual work may be displayed to its full effect. I have begun by creating a 10x10cm lightbox, printing 7 performance stills on acetate of the same size that can each be placed in the frame. The greyscale tone of the prints, although unavoidable, worked to my advantage. I feel it has lent the images a 70s LA performance art feel, in the vein of Chris Burden and Bad Jan Ader.