TOM STOCKLEY
  • HOME
    • HIRE ME
    • MENTORING
    • PRESS
    • SHOWREEL
    • SHOP
  • VISUAL ART
    • CALL THE CATTLE HOME
    • A VIOLENCE FILLED WITH FLOWERS
    • OR MAYBE LET'S EAT TOGETHER
    • IDEAL FORM (MUG)
    • TENDER FEELINGS
    • u will always have yourself
    • AM I THAT EASY TO FORGET
    • GOLDEN CROSS
    • everything is really great and fine
    • TOURIST
    • HOLY TRINITY
    • FOR YOU, FOREVER AGO
    • scanner self-portraits
    • SKETCHBOOK 2025
  • WORDS & MUSIC
    • T.S. IDIOT
    • BACK TO THE FUCHSIA
    • boca juniors
    • IN THE SHADOW OF HIS MOON
    • LIPSTICK TRACES
    • clown snake the cat, red paper bat man
    • THE PROTEST POET'S HANDBOOK
    • SPIT & MARGARINE
    • #PANDEMICPOEMS
    • MS PAINT POEMS
  • FILM & AUDIO
    • THE AQUANAUT
    • L'CHAIM, MY LOVERS!
    • THE NEW WILD WEST
    • SALT IN THE WOUNDS
    • THE BOXER
    • the air we held between us
    • BEAUTIFUL THINGS
    • CUPPA
    • ALL FORMS HAVE A LIKENESS
    • SHE SELLS SOULS
    • ROTTEN BRITISH KINGDOM
    • CONTROL
  • THEATRE & LIVE ART
    • ALL THE THINGS I SAID
    • IN MY PERFECT STATE
    • SALT IN THE WOUNDS (when i consider how my light is spent)
    • VEGGIE BURGER
    • FLAT LANDS / DIRT
    • A DOUBLE BLESSING
    • THE BUNKER CABARET
    • I'M A NOBODY, GET ME OUT OF HERE
    • ALIVE
    • SHARING/CARING
    • TRYING TO FLOAT
    • THE WEIGHT OF YOU
    • HUMAN PAINTBRUSH
    • every possible millimetre to get the perfect symmetry
    • SELF PORTRAIT AS UNICORN
  • WORKSHOPS & EVENTS
    • RESIDENT
    • QUEERING MANSFIELD MUSEUM
    • THE DETECTIVES
    • BRIDGING HISTORIES
    • BURY ME IN BS3
    • PALACE OF CULTURE
    • FUTURE:FEAST
    • SINCE YOU'VE BEEN GONE
    • JOY AGAINST THE MACHINE
    • ARTIST TEA LEAF READINGS
    • PINT SIZE PUNKS
    • SCHOOL OF COMBUSTION
    • LIZARD LIFE DRAWING
  • NEW WORK
    • (N)O SUPERMAN
    • Anxious Bed Ridden
Thomas Robert Stockley (former child and occasional statue), and William Myles Thomas (artist and lactose enthusiast) proudly present OMLET (Or Maybe Let’s Eat Together), the much-anticipated culmination of a shared September residency at Back Lane West. Featuring new individual and collaborative works, OMLET plays on the concept of food as art; whilst simultaneously being disrupted by digital works – a balance of comfort (eating) and discomfort. In the space the viewer becomes participant. We are confronted by our immediate physical presence in time and space, manifest through art objects and the visceral act of consuming food. This reality is contrasted by the act of being transported out of the physical world, into a virtual reality where computers sing to themselves, eggs give birth and the very space you occupy is cracked and distorted.

backlanewest.org/residents/omlet

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